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He opts for a far rougher vibe on "Move It, Move It", a Dance Mania style ghetto-house smasher smothered in intense TB-303 acid lines.Over on side B, Chicagoan Jamie re-casts that track as sweaty, early Trax or DJ International style jack-track, before Adriyano rounds things off with the deliciously dirty, bombastic disco-house thump of "Fashion Country Girl".On the A side, we have two ergonomic edits in the form of "That Lonely Night" and "Enchantress" respectively which are looped to perfection with some somewhat familiar hooks that gradually build up to that drop!

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Review: We last heard from "vinyl-faced artist" Apparel Wax back in January, when the man (or woman) of mystery unleashed a second scorching EP of high-grade deep house on Apparel Music.

For EP number three, the Son of Sleeveface takes a different tack.

Review: Sean Mc Cabe initially launched Good Vibrations a few years ago as a regular party in Bristol, with the assistance of local soulful house legend Deli G.

This 12" marks the debut of the freshly minted offshoot label and sees Mc Cabe join forces with regular collaborator Nathan Adams.

Vega's 12-minute A-side "Re-touch" strips out many of the electronic touches, instead focusing on delivering celebratory, peak-time disco abandon.

On the flipside you'll find two tasty DJ tools: a loopy, slightly more house-centric dub (which also includes a lengthy filtered section to allow for longer mixes) and a short instrumental mix.

Review: Stockholm based Ari Bald is up next for Better Listen after inaugurating Honey Butter Records last year with that great release.

He keeps on with that deep disco spirit with these four funky and lo-slung jams.

"Track 2" sees old wax-chops beef up and slightly weird out a jaunty, horn-heavy Afro-funk cut, while the flipside excursion is a romping deep house revision of a swirling and chiming '80s soul hit.

Review: Thanks to well-regarded releases on Shall Not Fade and CESTRAW, amongst others, 2017 was a very successful year for bearded beat-maker Adriyano.

There is an audibly religious dimension to "Tell You No Lie," but Hood's knack for writing a great tune means that it sounds celebratory rather than self-indulgent or preachy.

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